This cluster of papers explores the intersection of literature and film, focusing on the theory and practice of adaptation, with a particular emphasis on the works of Shakespeare. It delves into the complexities of adapting literary works to the screen, analyzing issues of fidelity, gender representation, cultural appropriation, and the impact of new media on adaptation. The cluster also examines the geopolitical and historical dimensions of film adaptations, highlighting the evolving nature of adaptation studies in contemporary academia.