专题:Shakespeare, Adaptation, and Literary Criticism

This cluster of papers explores the intersection of literature and film, focusing on the theory and practice of adaptation, with a particular emphasis on the works of Shakespeare. It delves into the complexities of adapting literary works to the screen, analyzing issues of fidelity, gender representation, cultural appropriation, and the impact of new media on adaptation. The cluster also examines the geopolitical and historical dimensions of film adaptations, highlighting the evolving nature of adaptation studies in contemporary academia.
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Medea in the age of AI: reimagining the monstrous mother through adaptation and technology

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Adapting the algorithm: identity, agency, and the future of adaptation in the age of generative AI

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AI Seinfeld , AI sitcom, AI television: Nothing, Forever , or adaptation in the age of AI

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“Making Trees” from Macbeth to the Modern Day

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Privilege of the Voice: The Struggle for Authorship in “Little Red Riding Hood” of The Grimm Variations (2024)

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Graph-theoretic and emotional analysis of character dynamics in novel-to-film adaptations

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Race, Disability and Abolition in Stephen King’s The Green Mile

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FROM FOLKLORE TO SCREEN: TRANSFORMATION OF VALUE NARRATIVES IN A FOLK TALE (BASED ON THE FOLK TALE ANAHIT BY GHAZAROS AGAYAN)

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Transmedia Storytelling and Adaptation Studies: New Horizons for a Convergent Era

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One story, two cultures: Readership responses to the cross-cultural translation of Jane the Virgin and El-Anisa Farah

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